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https://w.atwiki.jp/2011japan_earthquake/pages/18.html
Transport Railway http //traininfo.jreast.co.jp/train_info/tohoku.aspx All trains in Touhoku area, Yamagata area, Akita area is under complete stall. This incldes shinkansen (bullet trains) as well. JapanRailway does not have a timeline in when the transport network will be repaired. (2011/03/12 4 50) Joetsu area, Nagano Shinkansen is working, although rather brittle. Road Sendai http //www.kotsu.city.sendai.jp/unkou/ (地下鉄南北線) nannboku-sen subway halted. Bus is working between (泉中央駅) Izumichuuou Station (仙台駅) Sendai Station. City bus is partially working from 6 30 with out any set timetable, only in limited area. Edit
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ModelGenerator 最尤法やベイズ法で系統解析をする際に必要になるモデルを推定するためのプログラム。Javaで書かれているのでインストールが簡単なのと、対応しているモデルが、Modeltest、Prottestと並んで最も多いので愛用しています。 無料でModelGenerator Homepageから入手できる。 2008/01/08時点でのファイル名は、 modelgenerator_v_84.zip Javaで書かれているのでOSが何でも共通で利用できる。 解凍後modelgenerator.jarを使いたいフォルダに移動させればすぐに利用可能。 実行はターミナルを立ち上げて、 $ java -jar modelgenerator.jar align_file num_gamma_categories メモリが足らない場合には、-Xmxオプションを利用して、 $ java -jar -Xmx200m modelgenerator.jar align_file num_gamma_categories (200MB確保したい場合) 出力は、 全モデルのAIC1、AIC2、BICと、それぞれの最適なモデルでのアミノ酸組成など。PHYMLとTREE-PUZZLE用のシェルスクリプトも生成してくれる。 対応しているモデルは、 アミノ酸置換モデルが、 BLOSUM62 CPREV Dayhoff JTT MTREV VT WAG DCMut RTREV MtMam MtArt に、それぞれ+G, +I, +Fの組み合わせで8倍( , +G, +I, +I+G, +F, +G+F, +I+F, +I+G+F)で合計88モデル。 それぞれの置換モデルを簡単に説明すると、 Poisson：ポアソン分布を仮定。全置換が等確率で非現実的。JCのタンパク版。 Dayhoff：近縁なタンパク質同士で最節約的に置換確率をまとめる。PAM行列。 JTT(Jones, Taylor, Thornton)：DayhoffのPAM行列の改良。 Blosum62：経験的な置換行列。 mtRev：20種の脊椎動物のミトコンドリアゲノムでの置換頻度から行列を生成。 mtMam：哺乳類のミトコンドリアゲノムでの置換頻度から行列を生成。 CpRev：色素体ゲノムの配列での置換頻度から行列を生成。 RTRev：レトロウイルスを中心とした逆転写酵素での置換頻度から行列を生成。 VT：近似的な最尤法(resolvent法)で遠縁のタンパク質までを含めた置換行列。(Müller and Vingron, 2000) WAG：最尤推定によるJTTの改良版（JTTは最節約的な置換推定）、球状タンパク質の置換頻度から行列を生成。(Whelan and Goldman, 2001) PMB (Probability Matrix from Blocks)：タンパク質の保存モチーフでの置換頻度から行列を生成。(Veerassamy, Smith and Tillier, 2004) DcMut：DayhoffとJTTの亜型を統合したもの。(Kosiol and Goldman, 2005) ここまでの経験的な置換モデルに以下の３つのオプションを加える。 +G：置換速度のΓ（ガンマ）分布を仮定（座位毎に置換速度が異なることを考慮） +I：不変座位の割合を考慮 +F：アミノ酸含量に従って置換行列を調整する 塩基置換モデルが、 Citations Thomas M Keane, Christopher J Creevey , Melissa M Pentony, Thomas J Naughton and James O McInerney (2006) Assessment of methods for amino acid matrix selection and their use on empirical data shows that ad hoc assumptions for choice of matrix are not justified, BMC Evolutionary Biology, 6 29
https://w.atwiki.jp/omuta-arao/pages/14.html
CHALLENGES IN DEVELOPING Ａ MANAGEMENT APPROACH TO INDUSTRIAL HERITAGE SITES 2011.2 M. Peason Unity of time, and the temptation to try to recapture the ‘Meiji moment . Unlike some other heritage places. the value of industrial sites may not be based on their representing any one point of time. Many industrial sites reflect the evolution of industrial processes and operations over ａ period of time, with changes and alterations adding new components, or taking away old components. Taking an industrial site back to one earlier point in time is generally not the objective of its conservation, and as the Nizhny Tagil Charter for the Industrial Heritage (ＴＩＣＣＩＨ 2003) says, reconstruction or returning toａ previous known state should be considered an exceptional intervention . Trying to either reconstruct ａ site as it is thought to have been in the Meiji, or removing later components of ａ place, is not supported by international guidelines. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 11) says ‘The valid contributions of all periods to the building of ａ monument [ or site ] must be respected, since unity of style is not the aim of ａ restoration. When ａ building [or site] includes the superimposed work of different periods, the revealing of the underlying state can only be justified in exceptional circumstances and when what is removed is of little interest and the material brought to light is of great historical, archaeological or aesthetic values, and its state of preservation good enough to justify the action. Evaluation of the importance of the elements involved and the decision as to what may be destroyed cannot rest solely on the individual in charge of the work. An example in the Japanese nomination Mitsubishi Shipyards at Nagasaki, where the nominated componente are part of an evolved operating shipyard. The dry dock, pattern shop (ｎｏｗ the Museum) and the crane have al undergone modification over more than ａ hundred year period to enable them to fulfil their industrial and company purposes. Trying to revert to ａ Meiji era form would be ahistorical, would be conjectural to some degree, and would confuse the heritage values of the place. Reconstructing ruins Ruins and incomplete structures can tell their own history. In industrial sites the reconstruction of incomplete remains very often involves conjecture about what the original site was really like, and the Venice Charter (Article 9) says very clearly that restoration must stop at the point where conjecture begins, and in this case moreover any extra work which is indispensible must be distinct from the architectural composition and must bear ａ contemporary stamp. The interpretation of what constitutes the appropriate ‘contemporary stamp is controversial, but the main thrust of the charter is clear － don t reconstruct on the basis of ｃｏnjecture. The Nizhhny Tagil Charter for the Industrial Heritage says 5.VII. Reconstruction, or returning to ａ previous known state, should be considered an exceptional intervention and one which is only appropriate if it benefits the integrity of the whole site, or in the case of the destruction of ａ ｍajor site by violence. Vｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 15) says that in the case of excavated ruins ; ‘Ruins must be maintained and measures necessary for the pennanent conservation and protection of architectural features and of objects discovered must be taken. ．．． All reconstruction would should however be ruled out ａ priori. Only anastylosis, the re-erection of complete collapsed elements, is allowed, and even this has become controversial since the Venice Charter was written. An example in the Japanese nomination would be the reverberatory furnace at Shuseikan at Kagoshima. Only the foundations survive, and to attempt to reconstruct the furnace would be based very largely on ｃｏnjecture, would probably destroy or bury the original fabric of the historical era, and would distort the heritage values of the place. Aesthetic preservation vs industrial character and authentic setting Industrial sites are seldom beautiful. Some are imposing because of their scale or the sculptural nature of their elements, but they are very seldom built for aesthetic effect. Therefore aesthetic judgements should not guide their conservation. Industrial sites however often have ａ character within their setting that reflects their industrial origins. This can include operational or abandoned equipment, rail lines, ash, coal or waste emplacements, and often ａ rather barren landscape. This setting is often not aesthetically pleasing, but it can be ａ powerful tool in understanding the industrial site, and often deserves to be conserved. It is very often not appropriate to try to beautify industrial sites, and the replacement of traditional settings with manicured parklands and urban recreational landscapes is very seldom appropriate, and detracts frｏｍ theappreciation of the heritage significance of the industrial site. The Venice Charter (Article 7, in another context) states that Ａ monument is inseparable from the history to which it bears witness and from the setting in which it occurs. And (Article 6), states in part that ｀．．．Wherever the traditional setting exists, it must be kept. This is echoed in the Nizhny Tagil Oharter ( 2 III ) These values are intrinsic to the site itself, its fabric, components, machinery and setting, in the industrial landscape, in written documentation, and also in the intangible records of industry contained in human memories and customs. This concept is also echoed in the Joint ICOMOS-TICCIH Principles for the conservation of industrial heritage, sites, structures, areas and landscapes, draft of 8 October 2010, article 2. Industrial sites are also often dirty buildings. and in some cases the accumulation of smoke and oil stains, abrasion marks and grime, tell as much about the industrial process as does the machinery itself. Cleaning up industrial buildings anｄ machinery should be considered a very significant decision. and one not taken lightly, as irreplaceable evidence of the past might be lost. Public safety might be ａ consideration in some rare cases, but there are many ways to make ａ site safe and avoid public contact with oil and grime without having to remove it all together. An example in the Japanese nomination would be the Manda Pit of the Miike mines at Omuta. The mine headframe, winder building, fan house and other support buildings survive in an industrial setting that makes sense of the buildings and the spaces between them. To some extent the industrial landscape allows the experience of the workers at the site to be understood. To remove the railway remains. mining equipment, and bare open spaces., and introduce instead ａ modem municipal park landscape, would destroy the industrial context of the place, and reduce the buildings to being just exhibits in ａ sterile modem garden. Levels of intervention The commonly adopted principle for conservation work is to do as much as is necessary to conserve the place, but as little as is possible. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ indicates intervention must stop at the point where conjecture begins. The Nizhny Tagil Charter (4 Ⅲ) indicates yhat The most important sites should be fully protected and no interventions allowed that compromise their historical integrity or the authenticity of their fabric. Sympathetic adaptation and re-use may be an appropriate and ａ cost-effective way of ensuring the survival of industrial buildings, and should be encouraged by appropriate legal controls, technical advice, tax incentives and grants. A key aim of the conservation of industrial sites is to retain as much of the evidence of the use of the place at the place. The Ｎｉｚｈｎｙ Ｔaｇｉｌ Ｃｈａｒtｅｒ (5.Ⅰ) indicates that Conservation of the industrial heritage depends on preserving functional integrity, and interventions to an industrial site should therefore aim to maintain this as far as possible. The value and authenticity of an industrial site may be greatly reduced if machinery or components are removed, or if subsidiary elements which foｒｍ part of ａ whole site are destroyed. This also means that components of industrial places should not be moved to other places, as museum items or exhibits, or destroyed to ‘clean up ａ site. The Nizhnｙ Tagil Charter (5.Ⅲ) Preservation in situ should always be given priority consideration. Dismantling and relocating a building or structure are only acceptable when the destruction of the site is required by overwhelming economic or social needs. The Ｊｏｉｎt ＩＣＯＭＯＳ-ＴＩＣＣＩ！Ｉ Ｐｒｉｎｃｉｐｌｅｓ ｆｏｒ tｈｅ ｃｏｎｓｅｒｖａtｉｏｎ ｏｆ ｉｎｄｕｓtｒial ｈｅｒitａｇｅ, ｓitｅｓ，ｓtｒｕｃtｕｒｅｓ，ａｒｅａｓ ａｎｄ ｌａｎｄｓｃａｐｅｓ also states (9) Protection measures should apply to buildings and their contents since completeness or functional integrity is especially important to the significance of industrial heritage structures and sites. Their heritage value may be greatly jeopardized or reduced if machinery or other significant components are removed, or if subsidiary elements which form part of ａ whole site are destroyed. An example in the Japanese nomination would be the Customs House at Miike Port. Much of the original fabric of the customs house survives intact, and other parts have been simply moved to new locations within the building. This building could be conserved without requiring its demolition and reconstruction, and in the process most of its original fabric could be retained to tell an authentic story of its history and use. Only as much intervention should take place as is required to ensure the stability or the structure, and its ability to withstand its new use. Continued industrial use Some sites with industrial heritage significance are still in industrial use. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 5) states that The conservation of monuments is always facilitated by making use of them for some socially useful purpose. The Niｚｈｎｙ Ｔａｇｉｌ Ｃｈａｒｔｅｒ (4 Ⅱ) indicates that Programmes for the conservation of the industrial heritage should be integrated them for some socially useful purpose. And 5. Ⅴ states Continuing to adapt and use industrial buildings avoids wasting energy and contributes to sustainable development. Industrial heritage can have an important role in the economic regeneration of decayed or declining areas. The continuity that re-use implies may provide psychological stability for communities facing the sudden end a long-standing sources of employment. The Ｊｏｉｎt ＩＣＯＭＯＳ-ＴＩＣＣＩＨ Ｐｒｉｎｃｉｐｌｅｓ ｆｏｒ tｈｅ ｃｏｎｓｅｒｖａtｉｏｎ of ｉｎｄｕｓtｒｉａｌ ｈｅｒitａｇｅ, sites, structures, areas and landscapes also states ( 8 ) In the case of active industrial structures or sites of heritage significance, it must be recognized that their continued use and function might carry some of their heritage significance and provide adequate conditions for their physical and economic sustainability as a living production or extraction facilities. Their specific technical characteristics and features need to be respected while implementing contemporary regulations such as building codes, environmental requirements or risk reduction strategies to address hazards of natural or human origin. Ａｎｄ (10) Appropriate original or alternative and adaptive use is the most frequent way and often the most sustainable way of ensuring the conservation of industrial heritage sites or structures. ．．．Building codes, risk mitigation requirements, environmental or industrial regulations, and other standards should be implemented in an adapted way to take heritage dimensions into account when they are enforced through physical interventions. An example from the Japanese nomination would be at Yawata Steelworks. The continued use of the repair workshop for industrial uses that do not endanger its historic fabric would maintain the historically traditional use of the building. Similarly, the continued use of the pumping station at Onga River is ａ much more appropriate continuing use than converting the place to ａ new use. In both cases the traditional use has precedence over tourist-oriented uses―World Heritage listing is first and foremost about conserving WH values, not providing tourist attractions. Proper documentation and discussion of conservation proposals Current international best practice suggests that proposals for the conservation of places of heritage significance should be based on the inputs of relevant expert advice, and should be documented and widely discussed before action is taken. The Nizhny Tagil Charter (3 Ⅷ） indicates that The value of significant sites should be defined and guidelinesfor future interventions established. Any legal, administrative and financial measures that are necessary to maintain their value should be put in place. Proper documentation and discussion reduces the chance of poor decision making, and ａ documented conservation plan should provide clear evidence of what exists at ａ place before works start. what evidence is used to establish the heritage values of the place, and what the proposed works are to conserve those values. The conservation plan also shows future managers what has been done to ａ place and why. The World Heritage Operational Guidelines require adequate documentation of conservation proposals and actions. Heritage decisions based on un-documented verbal conversations is not ａ supportable basis for conservation planning.
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カード基礎情報 NAME（カード名） Arisanna, Herbalist Prodigy ELEMENT（エレメント） NORMAL TYPE（カードタイプ） Champion SUBTYPE（サブタイプ） Cleric Human MEMORY COST（メモリーコスト） 1 LEVEL（レベル） 1 POWER（パワー） - LIFE（ライフ） 19 TEXT（効果文） On Enter Gather twice. (To gather, summon a Blightroot, Manaroot, Silvershine, Fraysia, Razorvine, or Springleaf token, chosen at random.)登場時： 2回採取(採取するには、Blightroot、Manaroot、Silvershine、Fraysia、Razorvine、Springleafのいずれかのトークンをランダムに1体召喚する)。 FLAVOR TEXT（フレーバーテキスト） "Adjuvants, catalysts, and materia abound! This world offers so much potential for research and experimentation. Now, what about this mixture?" ILLUSTRATOR（イラストレーター） 代々 EDITIONS（収録弾） Alchemical Revolution RARITY（レアリティ） C 関連ルール・裁定 特になし
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ワンダーランドウォーズ 機種：AC 作曲者：Kai(甲斐考博)、穴山大輔、尾池智史、藤本多恵、水野健治 発売元：セガ 発売年：2015 概要 2015年に稼働した、MOBA(Multiplayer Online Battle Arena)形式の4対4でのオンライン対戦アーケードゲーム。 童話や御伽話をモチーフにしているだけありシンフォニックな曲調の曲が多いが、戦闘関連の曲にはその中にもドラムやギターが効いており戦いを盛り上げる。 セガストア専売のサウンドトラックの他、キャンペーンの景品で追加曲や既存曲のフルバージョンを収録したエクストラサウンドトラックを配布している。 収録曲(サウンドトラック順) 曲名 作・編曲者 補足 順位 Entrance -Introduction- Kai タイトル画面 Library On The Boundary モード選択画面 Shelf Of The Quest Book 修練場ステージ選択画面 Wonderland Symphony キャラクター選択、マッチング画面 第10回305位第11回879位第12回887位2015年472位 Marshalling Braves 対戦者紹介画面 Battle In Wonder Forest 不思議の森マップ 第9回724位第10回648位2015年450位 Garden Of The Dragon 竜宮の園マップ 第9回666位第10回280位2015年324位 Snow White Fantasia 白雪の森マップ 2015年405位 Wonderforce Full Blast ワンダースキル発動中 The Final Phase クライマックス時 Triumph バトル勝利時 White Flag バトル敗北時 Swinging Fairy's Dream リザルト画面 Teatime Lounge カスタマイズ画面 Wonderskill Jingles ワンダースキル発動時ジングル集 Wonderland Symphony -Full Version- ゲーム未収録 Extra Soundtrack 収録 Marshalling Braves -Full version- Kai Battles In Wonderland -3MAP Medley- Theme Of Aschenputtel Theme Of Rin Theme Of Scarlet Kai、穴山大輔 Extra Soundtrack -Moonlight Waltz- 収録 The Invitations 尾池智史 舞闘会マッチング画面 Moonlight Waltz Kai 舞闘会キャラクター選択画面 Marshalling Brave Dancers 舞闘会対戦者紹介画面 Dancing In The Battle Arena 舞闘会マップ 第10回466位 Stairway To The Crown 舞闘会リザルト画面 The Villain Battle ヴィラン戦 第10回591位 Extra Soundtrack -Starlight Anthem- 収録 Chronos Of Fate Kai Ver.2.0タイトル画面 Before The Curtain チュートリアルモードステージ選択画面 Theater Of Puppets チュートリアルモード寸劇 Starlight Anthem 星めぐりの森マップ 第11回463位第12回275位第13回146位2016年268位 Desertland Symphonia 千夜の街マップ Bittersweet Pianissimo Ver.2.0リザルト画面 The Trial 昇格試験中リザルト画面 Extra Soundtrack -Can't You See The Wonderlahd?- 収録 Introduction-Genesis Awaken- Kai Ver.3.0 Candyland Symphony お菓子の国マップ 第12回187位第13回128位第14回294位第15回692位第16回493位 The Crimson Prelude 協奏闘技場待機画面 Bloody Moon Concerto 協奏闘技場マップ 第12回318位 Castle In The Sky Blue Kai、尾池智史 占星遊戯祭マップ 第12回395位第13回543位 Stagazer's Answer 藤本多恵 占星遊戯祭リザルト画面 Extra Soundtrack -Secert Jewelry Box- 収録 Prelude To The Genesis- Kai Battles In WonderlandⅢ Kai、尾池智史 占星遊戯祭～お菓子の国マップ～協奏闘技場マップのメドレー Wonderland Dream Suite Ⅲ Kai Wonderskill Jingles 藤本多恵、尾池智史、Kai Garden Of The Dragon(maimai Mix Version) Kai Wonderland Library 藤本多恵 Extra Soundtrack -Seven Colored Romance- 収録 Introduction-Glorious Warfare- Kai、水野健治 The Adventure Rising Kai 冒険譚マップ Atelier Andersen 冒険譚モード選択画面 The Villain Battle Ⅱ 冒険譚高難易度マップ Return Of The Soldier 冒険譚リザルト画面 Chaotic Toy museum Kai、尾池智史 おもちゃの箱庭マップ 第13回513位 Extra Soundtrack -Hearts Of Woderland- 収録 Introduction- Galerie Avant-Garde- Kai デモ画面BGM Hearts Of Wonderland 冒険譚最高難易度マップBGM 第14回672位2019年204位 Wonderland Dream Suite Ⅳ-Sequence Medley- Wonderskill Jingles Vol.5 Hearts Of Wonderland(Instrumental Version) Candyland Symphony(CHUNITHM Mix Version) Extra Soundtrack -Crystal Moon Sonata- 収録 Introduction- Prophecy Of Doom - Kai デモ画面BGM Burning Steel Inferno 水野健治、Kai 鬼ヶ島の製鉄都市マップ Wonderland Dream Suite Ⅴ -Sequence Medley- Kai The Darkness Arising Garden Of The Cosmos 占星演儀・宿曜典BGM Answer In The Crystal Moon Extra Soundtrack -Magical Soldiers Parade- 収録 Twinkle Little Hearts Kai 新兵で探索BGM Twinkle Little Hearts - Hurry up Version - Kai、藤本多恵 新兵で探索・終盤BGM Magical Soldiers Parade Kai 新兵で探索・最高難易度マップBGM Magical Soldiers Parade- Hurry up Version - Kai、藤本多恵 新兵で探索・最高難易度マップ終盤BGM Wonderskill Jingles Vol.6 Kai One Thousand and Wonder Nights [Unused Demo] Silent White Shadows [Unused Demo] Spears Of The Seven Spirits [Unused Demo] Extra Soundtrack - The Tower Of Secret Magic - 収録 Introduction - Blossom Of Three Flowers - Kai Fairy Witch Academy Wonder Dream Suite VI - Sequence Medley - The Tower Of Secret Magic Atelier Catastrophe One Thousand and Wonder Nights [Unused Demo] Queen Of The Dark Kingdom Wonderskill Jingles Vol.7 Kai、藤本多恵 Burning Steel Inferno (Ongeki Mix Version) 水野健治、Kai サウンドトラック Wonderland Wars Original Soundtrack Wonderland Wars Extra Soundtrack Wonderland Wars Extra Soundtrack -Moonlight Waltz- Wonderland Wars Extra Soundtrack -Starlight Anthem- Wonderland Wars Extra Soundtrack -Can'tYouSeeTheWonderlahd?- Wonderland Wars Extra Soundtrack -Secret Jewelry Box- Wonderland Wars Extra Soundtrack -Seven Colored omance- Wonderland Wars Extra Soundtrack -Hearts Of Woderland- Wonderland Wars Extra Soundtrack -Crystal Moon Sonata- Wonderland Wars Extra Soundtrack -Magical Soldiers Parade- WWonderland Wars Extra Soundtrack - The Tower Of Secret Magic - PV
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Maximizing Submodular Set Function with Connectivity Constraint Theory and Application to Networks Tung-Wei Kuo, Kate Ching-Ju Lin, Ming-Jer Tsai Research Center for Information Technology Innovation（資訊科技創新研究中心） National Tsing Hua University（國立清華大學） INFOCOM 2013 概要 ワイヤレスネットワークのルーターの設置問題 submodular関数で表せる さらにルーターは連結であるという制約を追加 この設定でも近似アルゴリズムが設計できる 1/O(√k)近似 頂点に重みをつけたbudget版も考えた 実験：ヒューリスティクスより良いよ モチベーション ワイヤレスネットワークのルーター 下の2つの評価を良くしたい 被覆領域 スループット 現実的にはルーターは連結 問題 予算制約無し Maximum Submodular set function (MS) problem max f(S) s.t. |S|≦k 1-1/e近似 Maximum Rooted Submodular set function (MRS) problem max f(S) s.t. |S|≦k, r∈S 予めrが入っているとしてgreedy Maximum Connected Submodular set function (MCS) problem max f(S) s.t. |S|≦k, Sは連結 予算制約有り Maximum Connected Submodular set function with Budget constraint (MCSB) problem max f(S) s.t. Σ_{s∈S}w(s)≦B, Sは連結 MCSの近似アルゴリズム 各rについて Vr = d(v,r)≦[√k]のvをとってくる Vrについて√kだけ選ぶMRSを解く 一番良いのをとっておく r*, S_r* この時点で、[√k]の非連結な頂点が選ばれており、点r*を中心に距離が高々[√k]離れている r*からS_r*の各頂点を結ぶ頂点をとってきてS_r*に追加 return S_r* MCSBの近似アルゴリズム 頂点に重みがついているので、辺に重みがつくようにグラフをちょっと変形 MCSのみたいに、距離[√B]以内の頂点をとってきてMRSBを求める 一番良いのをとってきたら結ぶ この時点で、総重みはw(r*)+B以下（ちょっとオーバー 頑張って実行可能解に変形 応用 Maximum Connected Coverage (MCC) problem f(S) = |C(S)| = |{v | d(S,v)≦r}|としたMRS Maximum Throughput Connected Coverage (MTCC) problem f(S) = T(S) = Σ_{v∈C(S)}max_{s∈S}T(v,s) 距離r以内のルーターで一番スループットが良いのの和とった 結果 定理1 MCSはNP-complete 定理2 提案アルゴリズムはMCSに対して1/O(√k)近似 定理3 MCCは1/O(√k)近似で解ける 定理4 MTCCは1/O(√k)近似で解ける 定理5 MCSBは1/[(Δ+1)O(√B)]近似で解ける 実験 ユーザーの被覆(MCC)と総スループット(MTCC)を考える まずユーザーの位置を決める 位置はZipf lawに従う 実際の無線環境を想定して設定 MCCについて 比較はVandinのアルゴリズム rootを1個指定したバージョンも これはVandinに負けた(´・ω・`) おかしい：rootを指定した結果で減少してる MTCCについて Vandinは適用不可 かわりにヒューリスティクス Our algorithm最強だぜ！！ budget版もやったよ まとめ √kのはちょっと面白いけど、普通に貪欲じゃ駄目なのかな？ 1個最大を選ぶ 今の集合に隣接してるから一番イイのを選ぶ ぱっと見でsubmodularの性質を満たすと分かりそうだが、この定式化は新しいのかなあ？ 実験はMTCCの方が適当に見えた Kleinbergのinfluence maximizationも最初はヒューリスティクスしか無かったししょうがないのかな INFOCOM submodular function wireless network 2013-11-15 00 36 24 (Fri)
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■General Store 雑貨屋 Sells general goods 雑多な商品を売っている 素材・初期槍装備・スカウト召喚アイテム・8、12スロット倉庫・Construction Store が売っている。 Construction Store では資源生産施設が売っている。買って建築しておこう。 非課金の場合、ここで買える12スロット倉庫を建てたい所。 01.Copper Heavy Sprea Equipment / Uncommon / Coin 20 Required Level 1 Heavy Spear - Usabled by Spearmen, Greek Prodromos and Eqyptian Camel Riders Damage +6.8% →初期槍装備。何もないよりは良い。槍兵と、GreekならProdromos、Eqyptならラクダ騎兵が装備できる。 02.Animal Hides x 10 / Material / Common / Coin 15 03.Copper Ingots x 10 / Material / Common / Coin 15 04.Grain / Material x 10 / Common / Coin 15 05.Pine Planks x 10 / Material / Common / Coin 15 06.Stone Blocks x 10 / Material / Common / Coin 15 Used to craft items and construct city buildings →素材。どうしても足りない時に。12時間ごとにできるクエスト報酬でも手に入れる事ができる。 07.Special Ability Recon Man / Consumable / Common / Coin 60 Summons 1 Greek Scout to add to your ranks Cooldown 3m Requires Age 2 →スカウトを1匹召喚する。視界確保や探索に 08.Construction Store 建造物屋 / Blueprint 設計図 / Common / Coin 50 Use Builds the Construction Store (sells blueprints) Cost 37 Pine Planks, 27 Copper Ingots, 15 Animal Hides →資源生産施設が売っている。買って建築しておこう。 09.Storstufacium(Greek) / Ra s Basement(Eqypt) Blueprint / Common / Coin 125 Use Builds a Storstufacium (8-slot Warehouse)(8個の空きのある倉庫) Build Limit 1/2(非課金) or Build Limit 1/5 (課金) Cost 37 Pine Planks, 27 Copper Ingots, 15 Stone Blocks →8個倉庫。これを建てるくらいならStoragoriumを建てよう 10.Storagorium / Blueprint / Uncommon / Coin 200 Use Builds a Storagorium (12-slot Warehouse) Build Limit 1/2(非課金) or Build Limit 1/5 (課金) Cost 37 Pine Planks, 27 Copper Ingots, 25 Stone Blocks →12個倉庫。非課金での自己建築できる最大倉庫か？ 課金の場合、2つ目の町で買える16個倉庫を買って立てた方が良い。
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KON... Konakahara, Mayu. 2011. "Analysis of Request Events in English Textbooks for Japanese Secondary Schools". Paper Collection of Graduate School of Education of Waseda University 19 325-340. Kondo, Ryoichi. 2015. "On the Historical Change of Extraposition Constructions in English." Studies in Modern English 31 1-18. Kondo, Tomihide. 近藤富英. 2018. 「『ノック・ノック・ジョーク』の英語の音の寛容性と英語の音に与えるヒントについて」 (Knock-Knock Jokes and Their Application to English Pronunciation) 『信州大学総合人間科学研究』 12 218–228. König, Ekkehard Lienhard Legenhausen. 1972. Englische Syntax Komplexe Sätze. Frankfurt a. M. Athenäum Fischer. König, Ekkehard Letizia Vezzosi. 2022. "On the development of OE swā to ModE so and related changes in an atypical group of demonstratives", in English Historical Linguistics Change in Structure and Meaning, ed. Bettelou Los, Claire Cowie, Patrick Honeybone Graeme Trousdale, pp. 310-344. Amsterdam John Benjamins. Konishi, Hironobu. 2018. "A Study of Matthew Bramble s Language and Epistolary Style in The Expedition of Humphrey Clinker", in The Pleasure of English Language and Literature, ed. Hideshi Ohno, Kazuho Mizuno Osamu Imahayashi. Hiroshima Keisuisha.
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